Published

Hey folks!

Back in January I was hired by the art director of Franciscan Media to give a different view to the traditional shots otherwise taken in this setting. They wanted a more contemporary view of Franciscan statues and motifs in and outside of Santa Fe, New Mexico for the 2023 April print and online issues of their magazine the St. Anthony Messenger.

I am going to have my print version scanned and converted to a PDF, but here is the link to the online version. Please click and see the article >>> https://www.franciscanmedia.org/st-anthony-messenger/the-franciscan-connection-to-the-stations-of-the-cross/

Huge thanks and much gratitude to Mary Catherine Kozusko and the kind souls at Franciscan Media for entrusting me with this wonderful task.

#photography #contemporaryphotography #editorial #santafe #newmexico #santafenewmexico #art #media

Farewell To Abiquiu

It was only 45 degrees but the high altitude sun reflecting off a mirror blank, crystal clear Abiquiu lake with Cerro Pedernal towering at the south end, and the cliffs together with the reflecting surface creating abstractions like a kaleidoscope... Reflections that made it warm enough for me to strip down and spend at least half an hour basking in bra and underwear… Icicles like seasonal stalactites and stalagmites, decorating the red sandstone cliffs. I can not believe that I most likely won’t be basking on them this summer… My soul feels broken, torn for leaving, but it also tells me to come back here when I finish my business, my education and rectification of self, the redesign of my life…

The Last Train Home

It’s catching the last train home to Santa Fe and meeting air plane flight attendant Carlisle at the train station in Albuquerque. Us bonding when getting nervous about electives regarding trains, platforms, and their departures. Then it is the settling in at the same table, the same train booth. Me with blood orange rooibos tea, and Carl with a salad from Panera that actually looked nice, considering. But it was also mutually enjoying conversations on travels, jazz, and jazz clubs, followed by tips on hidden gems full of smoked scotch and tobacco marinated walls all the way from Prague and the Czech Republic to Silver City, New Mexico, USA. And it’s also talking personal transitions and life changes, priorities and treading water until we can find land again, or a town with proper sustenance. Sharing dreams of travel, thoughts on behaviors and if they could be altered in order to lessen our exposure to violent crimes if traveling to such areas. To want to climb peaks but at the same time, become submerged into spring water in all places of the world. To find solace in the letting go of control or expectations while releasing our past lives on the dance floor. To pave way for a new future…

Musings on a train

A walk to the train station, snowflakes in giant negative space gently float through the air. And it’s the coffee and chocolate chip cookie that strangely reminds me of Scandinavian roll bread with deer meat and lingonberry jam. There on electric trains, here on diesel spewing tracks and the cabin smells of fumes. Now both our fathers are dead and life inevitably goes on. Distinction between life and death merely a continuation of birth and living. Snow clad peaks and mountains like straciatella, vanilla and crushed chocolate on a bed of cookie colored landscape. Train bellowing, maximalist soundscape in a minimalist landscape. Patches of chipped paint mistaken for ice on rooftops. Tumbleweeds skipping along desert roads. Clouds heavy and low, blanketing, muffling. Desires surfacing only to be subdued. Will we become like before or is this a new path, a new birth? Just another year come and gone. But is this change substantially different? Shame fills my mind as I realize I’m screen bound typing instead of enjoying the view… I send a final thought to your new day and the sensation of being in a world where he no longer walks and breaths, but still exists all around you. Jemez tells me to quit. Too far to be with her, the caldera, mother natures womb, but I obey, and turn my phone off…

Listening 🎧:

Moon Diagrams — “Trappy Bats” mini-album

Website MAKEOVER has begUn.

Hey folks.

Dropping in just to say that the website makeover has begun and will continue for some time. Minor things to tweak have to make place for other things to tweak…

Kindly,

Sara

Website Overdue For Work-Over

Just a heads-up for those visiting my website. It’s overdue for a work-over but that task has been set aside for schoolwork. In one of my two smaller summer breaks this summer, I’ll try to squeeze in both a restructuring and a work-over… My visual language has changed a lot since I last redid my website, so to those interested in seeing if that in fact is true, hop on over to my Instagram page which holds a more recent body of work, and make up your own mind. Thanks tremendously for visiting, and please return for a revamped website soon!

Kindly,

Sara

The Ghost Of You…

What  D O E S  it sound like when a snail eats? What do the winds smell like summertime in the mountains of Peru? What are the elements that erode my current state? To seek solace in the ghost of you…

I’ll tattoo a raven on my shoulder. To symbolize the impact of this sudden drop in time. Air lessening in density. Making heavy airplanes DROp. Like a broken ship, floating, drifting. No longer aimlessly, merely without power attempting to navigate both still and storm. One holds you back, the other propels you forward, and maybe even around and down under. But everything is still the same. 

It’s all this tumbling and turning. Through waves and valleys. Until it’s back to the drifting. When time settles again. And I can once again try to lean on — The ghost of you... 

Listening 🎵 — “Slow Sketch, Vol. 2: Reflections of the Ambient Community”.

The Inside of My Loneliness - A MidTerm Project

Hey folks! Long time no see!

As you may or may not remember, I am a 43-year-old in school. I’m studying towards a graphic design certificate at the Santa Fe Community College. This semester involves an advanced Photoshop class. For the midterm project we were given the task of designing an advanced college, or advanced composite by way of choosing one of three prompts :
1. Describe the inside of your loneliness.
2. How do you get to your grandmother's house?
3. Describe the conditions under which you burn.

I chose number one as I had a lot to say on the topic of loneliness. From the start, I felt that it would be more than one piece. For a while, I thought it would mean a polyptych but it naturally became a triptych. I felt that the view into someone’s loneliness was circular. So I had a round hole document the different sensations. All source material had been prepped prior to assembly to lessen the load of stuff in my layers menu, and to have a cleaner simpler workflow than I had the last midterm. As my main preparation, there was a ton of masking. This is in regards to elements that you see on repeat, and some of the background images as well.

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Perceived Loneliness

The story: As someone who has struggled with an abnormal amount of bad luck, illnesses, and events in life, I have become accustomed to people’s ignorance as to how they view a person subject to such repetitive negative patterns. I have become serious, critical, and cynical, with rights. The only thing I can compare living with my own history is someone who has experienced war. How do you convey your story to others who haven’t been? Here I portray the sensation of people’s preconceived opinions on my own loneliness. Ironically people who weren’t around when the times were the darkest, end up having the most preconceived notions… They see your loneliness as no fault but your own. They blame your darkness and think that they would have managed your challenges differently, better. You are negative, not critical. Hopeless, not hopeful.
The method: I started with an old painting from the Rijksmuseum. I analyzed the image and started with my bird and people removal. It was such a fun task, and so many tricks had to be used. Spot healing tool, copy-paste squares of wall and street. Smudging, and clone stamping. Then I added the balloon girl and the chain. I got the need for abstracts so I added different colored “sticks” to it. They were first arranged precisely and square with even distance in a checkered fashion. I didn’t like that so I went with a more disorganized look - I wanted them to look as deconstructed as people’s beliefs. Last I added a blob to cover her. This was inspired by an artist by the name of Leopoldo Strobl - Look him up! All of these elements, save the girl, have different blend modes to create different emotions, depths, and nuances. 

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Personal Loneliness

The story: This is my personal, dark loneliness. Nothing makes you feel more lonely than being in a place with many people that don’t see you… Like in a big city. With skyscrapers… My personal loneliness is very dark... That said, it doesn’t lack creativity. Even in my darkest moments, I am plotting something. Even if it’s my own decay… So you’re tethered to the darkness that can eat you alive. You try to connect through many different mediums, phones, computer, voice - A ghostly cell tower that in itself is frightening in both appearance and what it does - Yet you need it.
The method: The background image, an architectural drawing that looks like a helmet face, or star constellation - Hinting at my creativity even when submerged in the dark. Abstract sticks adding specks of color but adding to her burden as well - To be, in a falling motion, dragging her down…However, the balloons save. Elevate you up and away from the black hole with shark teeth, but the chain tethers so there’s that never ending traction. And once outside the darkness the balloons turn colored, and not ghostly gray and lusterless, which the blend mode on the girl underlines. As did the blend mode on the skyline - Emphasized like a ghost ship or town… An abstract, thick, running shape that I copied and debossed seeps out of the circle and from under the city, and a crack reveals another weak link in the structure… 

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Constructive Loneliness 

The story: Loneliness isn’t always negative. For me, it can also be extremely constructive and creative. And when it is, we build the strength and the ideas on how to build not only ourselves and our lives, but also find ways and strength to help others. 
The method: Again the architectural drawings came to play. I blended two together as I loved both and didn’t want to kill any of the darlings. I found an incredible image of a bridge being built, and later, after placing a masked out part of it in my document, I saw that there was a lonely, blue, male figure in the midst of it. Serendipity. So I started rebuilding my image after that man. The balloon girl with the strength to save him casts her gaze towards him to show you that he is there, that he exists, which I illustrated after an old “eye gaze”, “eye measure” drawing. Finally, I added one of my own abstract photos to blend together with the bridge image. I chose one of my pictures that has a brutalist concrete wall against a summer blue sky with clouds. They matched perfectly. 

I hope you enjoy my midterm triptych! 


Banal Magazine

Hi folks!
It’s with great pride and pleasure that I announce my participation in the second issue of the street photography magazine Banal Magazine! It’s an honor to have my work featured along side some really amazing photographers! Please head on over to my Instagram page to see all five of my images participating. If you like me love an analog, physical copy, Banal Mag is now taking preorders for the issue, packed full of inspiration, which can be yours for £17/$24/€20/200SEK.
XO,
Sara

New Mexico State Committee National Museum Of Women In The Arts Scholarship

Having good news means nothing if you don’t have anyone to share it with... So... It’s with great pleasure that I bring you some good news. I am beyond humbled and grateful for the honor of announcing that I am the recipient of the New Mexico State Committee National Museum Of Women In The Arts Scholarship!

I would have NEVER done this without my online community. All of you, one way or another, have helped support me and ignite the flame which has brought me to this place. I don't reveal too much of my private life here on the web. Sometimes I mention it and advocate of the challenges in stories on Instagram, but in posts and overall, it's rare. You have no idea of the struggle which goes on behind the scenes in my everyday life. You don’t really need to know, but many times things are teetering on the edge of ruin, and it affects the way I react, see, and am. In my life, my luggage has caused a lot of collateral damage. Then I post a photo to social media, and you show up. Brighten my murky everyday. Additionally, there are some of you who have come to mean so very much to me that I consider you equally as important as family or lifelong friends. I would definitely not be announcing this news if it weren't for those of you. My gratitude and love for these extra special folks runs deep. You know who you are. 

Rounding this off, I again want to thank you so much for all the support! Please keep it coming! This event doesn’t change any of my personal challenges, or the everyday reality I live in, but it is something that I hope can be a launching pad for a transition... An important stepping stone to something else that eventually can bring some very needed change in my life. The gratitude I hold for Santa Fe Community College and the scholarship committee for seeing something in me is beyond any recognition I have previously experienced in the arts. Thanks to them it will be possible to finish my certificate program with a completely different outlook than I had when I started school back in January. That in itself takes a huge weight off my shoulders and therefore paves the way for me to achieve my goals more efficiently. It also provides me with a network of great support in this town, around the state, and possibly nationally. That would be something I never really have had in any creative outlet I’ve embarked on in life. So... Here’s to hope for the first time in a very long time. 

Click your way over to my Instagram to see my submission selection.

With immense gratitude,
Sara

The Sky Changed - A Midterm Photoshop Assignment

As I wrote in my previous blog post, I’m in school for a Graphic Design Certificate, and this semesters midterm in Photoshop consisted of colorizing a black and white photo. Please read and check out the final image below.

“Sara Culler: The Sky Changed” 

I had been pondering a new photo series when suddenly it struck me that one of the locations I had in mind for the project would be perfect for this midterm assignment. So I packed my backpack and drove to the location I had in mind. 

Well there I realized how perfect my Ricoh GR was for this task. When shooting in black and white mode, it automatically produces one black and white JPG, and one color version in RAW. I used the raw file as my color palette, save some freehand adjustments, and an imported color palette for the copper roof.

When I got back home and sat down to analyze the image I instantly felt the need to flip the sky and make it the same color as the window facing west. Then I took one of the sky colors and placed it in the same window. Same with the skylights. There I chose to juxtapose the color of the skylight in the shade to a rebellious lighter shade of the original sky, and the skylight in the sunlight, a darker shade of the original sky. All to underline the dissonance felt within, and that on a very personal level. How such a seemingly perfect sky can be so unattainable, and so malplaced…

The walls had its own intricate work. Every block of wall, and every tone shift was done separately. As we all know, the light here in New Mexico, and in Santa Fe especially, reflects off every surface differently. So I chose to do them separately in order to make them more living. On the patchier work, see the example in the front bottom column, where I chose to smudge the edges of the shifts so that they blended together better. All shadows were also amplified with color. 

The only thing not colored is the rough. I attempted to give it a lighter shade of the window colored sky, but it made the total image feel flatter. I added the few colored elements in there to have the gray zone pop, and draw you in further. Leaving the rough uncolored was a much better solution, and I like the additional abstract sense it takes on. 

Well - I hope you enjoy my subtlety abstract work here. It was a really fun assignment, and I’ve actually enjoyed every second of it. 

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Pondering Pantone Colors Of The Year

So I started school in January… A 42 year old in school… I started a graphic design certificate program at Santa Fe Community College in an attempt to add a career field, and to dive deeper into my photography. I have been slightly overwhelmed in regards to restructuring my days so that time is more in abundance for mentally finding space to take in school. I’ve struggled to keep up with both photography, and this blog, but hopefully I can find my rhythm and be more regular at it again… Here is a recent piece I wrote for school, pondering Pantone’s colors of the year, Ultimate Gray, and Illuminate, and we were also tasked with making some stencil art in Adobe Illustrator to go with it. Please find both text and images below.

Listening:

Harald Grosskopf - Synthesist

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Sitting and writing, pondering Pantones 2021 color of the year selection, which this year meant not one, but two colors of the year - Ultimate Gray, and Illuminate. I am met with a unified collective opinion. 2020 was terrible but it didn’t break us. The gray color represents our endurance and strength, and through it, our perseverance is depicted. The color yellow highlights our future. It underlines warmth, optimism, resilience, and hope. 

I am often the odd bird out. I don't follow mainstream trends and rather question that which attracts the masses. I see trends and can be sensitive to them, but mostly I go my own way. That said, I enjoyed the two colors chosen. 

Ultimate Gray associates directly to concrete or steel, both powerful foundational gray materials that parallel the emotional journey it was, living through the pandemic of 2020. Personally, those emotional references to 2020 are not there. As someone who has lived with a chronic, potentially terminal medical condition, 2020 was not my worse year, and it didn't hold as many challenges as I have faced during other years. I am, however, struck by how the rest of the world has grown emotionally closer to me, luggage-wise, this past year. More people dare to speak of ill feelings and be openly dark, whereas, before the pandemic, people turned a shuteye towards those with patterns of repetitive struggle. Suddenly denying suffering wasn't as easy to do. It was on everyone's doorsteps and transferred to everyone's lips as time went by. If I got to change something, I would rephrase the meaning of Ultimate Gray. It can still represent 2020, but not by way of emphasizing strength and resilience, rather instead by underlining that it is OK to feel that life sucks, even when there's not a raging pandemic to blame it all on. Ill feel and so-called negative emotions are an equal part of being human as good feel, and optimistic emotions are. If there is anything I hope will come out of 2020 by way of reshaping mass opinion, it would be increased respect towards people who have different journeys than you. Everyone can't be a Piglet, some people are Eeyore's, and some are Pooh's. Let's all become accepting that life has its ups and downs, and for some people, it rains and pours. 

Illuminate embodies the epitome of the color yellow, a sunny and uplifting hue. It reminds me of a color I chose for my first apartment after leaving home. Albeit my color was on walls, it was several tints lighter, but still the same hue. It was chosen for warmth and optimism. My separation when leaving home wasn't happy, so I needed to create that space for myself, and therefore I chose the yellow. I agree more with the moral story of Pantone's choice in regards to the yellow. That the color induces all those optimistic emotions, together with its great multi-meaning contrast to the gray. However, I hope the yellow doesn't become a color that represents slipping back into the complacency the masses held before 2020. Then the metaphor is not completely unlike the symbolic tone of yellow in the aging of an old photograph. Instead, I hope we remember what we have endured by viewing the gray, and then highlighting the change in yellow. Remembering the great teacher 2020 was. The lessons we've learned, on a personal, national, and global scale. A color monument if you will. Reminding us that even though we've endured struggle, we came out on the other side, enlightened, emboldened, and both literally, and figuratively illuminated. 

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Not Just Any Record Store

This isn’t the most grammatically well written blog post… It is more of an emotional, “the way you speak” sort of post… I hope you enjoy it with both its flaws, and emotional tone.

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I was there when it closed. How many people who have worked in record stores in their late teens, early 20’s, can say that? Even though it was heartbreaking, and in many ways also the end of an era for myself on a very personal level, I can say that I feel lucky to have seen it all through. To the last sigh. The marble clad, high ceiling, old butchers shop turned record store, I had only worked in for 2.5 years, but it was open for 3, so I was with it for more than 2/3’s of its life. And what a life it was. It was one of the most mind opening places, and not one negative experience was had at work. Ever. 

The store was owned by a man and a woman, not a couple, but two friends. They both had families on each end. We were also a tapas café. We served simple home baked bread with cold cuts, different cheeses, and other toppings. We had some wonderful small tapas cold, and warm dishes that never changed. We served simple beer, and wine by the glass or bottle, and you could order the fresh baked bread with real, homemade aioli for dipping. We were constantly rated 4-5 stars. We had live music, and became a launching pad for many of the indie bands that became something in Sweden, and who began their live experience at our place. We all had the same roles. We all did the same things. Nobody was ever superior to another. A lot of very good times were had together. I was also honored to be part of the DJ crew, and was the first one to take stage as part of the Jackass Crew, based on the name of our place - At The Home Of The Blind Donkey’s. I also unintentionally gave my male boss the nickname Ass Mike. It started as a joke when I answered the phone, and it stuck. With everyone. Even looong after we closed... Maybe even still... And that nickname was started sometime between the years of 1997-2000... SOOO... We dj:ed. I was sometimes with a partner, and sometimes alone. We became a regular dj crew for many venues, and clubs, but most regularly, we became house djs to the one of the neighboring university towns, Lund’s, fraternities - Smålands Nation. It was a a political, socialist driven, American indie/punk music fraternity/venue. The city also had one britpop, one metal, and one mainstream fraternity venue in town, but we never dj:ed at any of them. I remember seeing many fantastic shows there. Songs Ohia, Smog (even though he was a dick), and the amazing Labradford, to name a few.  But back to the place of origin, Malmö, Sweden, and At The Home Of The Blind Donkey’s, there was this one time, in 1998, when the one and only Will Oldham, played at another record store in our town. After it was over, I approached him, and told him about our record store/café, and how we all had voted his “I See A Darkness” to win album of the year. I had Halfway To A Threeway by Jim O’Rourke (YES a brilliant “only an ep?” made first place for me!), Mark Hollis s/t at close second, and Will Oldham’s I See A Darkness as close third in my crowded, and PTSD causing top three selection... Will was intrigued and wanted beer, and food, so he came with me, and the entire other record store followed after us... When our pilgrimage arrived, the look on my boss’s faces may have been the single brightest memory I have from that time. They literally cried of joy! Needless to say, tables were pushed together, food and beer/wine flooded the place, music played, and so did Will. Privately for us. And we could request from all of his alter musical egos.... Sigh... That was one of many incredible memories from that time, and one of my fondest music memories ever. We were all invited on the guest list to his show in Copenhagen the night after, and most of us went, including yours truly, but that is another amazing story for another time... ... ... 

But then there was that last night… We were only 5, and only two tables were pushed together. Some of the other former employees were no longer living in town. The town that became too expensive for a beautiful little café/record store, with a failing record industry, caving in under weight of the illegal downloading trend, thanks to the likes of Stockholm based, and amphetamine laced, cultural sinkhole, Pirate Bay. That, paired with the responsibility, and time consuming job of being parents to multiple kids... So we drank all the alcohol, and ate all the food. We played all the music, and told all the stories, shared all the memories, and laughed at the anecdotes... Until it was inevitable. That it was time to go. And just like in the movies, when the cast locks the door for the last time, and look at each other one last time as the bosses and coworkers they were... It was just like that... 

We rode our bikes home through the night, and that was it. I sadly, rarely saw the female part whom I still love, and whose previously 5 year old, now grownup daughter who I recently found an Instagram account for, and acquired the email address for her mother. To reconnect... But I kept many more years with the male boss, Ass Mike, with whom I remember many a late night crawlings at the last stop, piano playing hotel bar. Or some of the after parties at my solo place, ‘cause I lived downtown, and it was easier for everyone.

These feelings are so heavy, and go so deep. So much love. So much spirit. So much respect. So much loyalty. So many friendships. So much community. So much creativity. And last, but definitely not least - So. Much. Good. Sound. 

🖤

At The Home Of The Blind Donkey’s

1997-2000

📸 - Credit: The Småland’s Nation website. And the picture shows the view from the dj booth looking over the dance floor to the stage.

Listening:

Various indie from the years of 1997-2000.

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The Lost ObjeCtive Of Longing

... in the space where nothing else exists but my thoughts and my sensations like aimlessly weightlessly floating adrift in a void of uncertainty where all feelings are exposed underexposed but rarely overexposed and then the dripping if one can say that something drips in a weightless state a teardrop or a sweat bead jewel like stars fall from my eyes and line my face with thousands upon thousands of wishes to arrive in a homogeneous union...

... to stand or hover on the steps of future endeavors whilst clinging to memories of times when questions had answers and longing had an objective where words still meant something as they were followed by undoubted action to grasp after light beams that flicker between trees between light posts and cell towers between the wood steel and concrete blocks we call buildings we call homes and work where we strain to survive to remain whole and to not fracture under the weight of it all...

... to regain traction to elevate myself by elevating you and to see it all from above soaring in the cold airless space a void by the soul created to answer the big questions with more questions rhetorically breath my breath back to you in hopes for a different insight or a different outlook to take charge and aid the broken blood pumps fusing them back to one in a whirlwind of sand blustered eroded from the sharp edges that cut slice and dissect us from everything else and to settle in the midst of it all...

... united...

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Listening:

Flying Saucer Attack - For Silence

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UNTANGLE-NOT-ABLE

... to not keep making these patterns…
... digging through the cavities of life... 
… rotting holes that never heal...
... barely surviving on droplets, and crumbs...
... treading for solid ground...
... to finally find rest... 
... how is it my problem that you can’t relate?…
... how is it my problem, that you don’t know what to say?…
... the hidden precursor is “want”...
... the hidden precursor is “priority”...
... the hidden precursor is “care”…
... the hidden precursor is “love (?)”...
... inaction becomes my problem...
… when you don’t try...
… when you deny…
… when you don’t speak...
… when you mock...
… when your backbone crumbles...
… when you repeat the hurt...
… ‘cause “friends don’t lie”...
… and the echoes of the longing...
… for mutual understanding...
… that intangible, untangle-not-able safety line...
… when memories and dreams hurt more than the words you spoke to me... 
… the reveal of toxicity...
… an ever polluted world on macro, meso, and micro levels... 
… to find appropriate air... 
… to inhale a pause...
… to exhale break...
... a temporary relief...
… afloat on only driftwood...
… peasant jewels of the sea... 
… like the self…
… harshly soaked, softly eroded...
… sometimes reaching, sometimes treading... 
… while the swells grow high, and cells they hope...
… to not be hurt, to not be forever sore...
… ‘cause where is the care?…
… replaced by rage, and misuse...
… ‘cause I’m not your baseball...
… nor your wailing wall...
… to retreat to silent quarters... 
… I close my eyes and hope for calmer waters... 

<<<<<>>>>>


Listening:

Windsor For The Derby - Two

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Holiday Guide

Hey all!

First I want to apologize for falling out of writing here… It’s been a strange couple of months that I’m not going to cover right now… Anyway! Here we are, and here I am with some news.

The wonderful folks over at Simply Santa Fe have added me, my show, and my work to their holiday guide! For contact, and or sales inquiries use the contact form under the prints tab in the menu here on my website. 

All my prints are archival ink, hot press, cotton paper, smooth matte finish. No gloss at all. Works super well with the southwest scenes depicted! 

I normally offer two print sizes.
14 inches on the longest side:
$49.50
22 inches on the longest side: 
$96 
However any, and all requests are available.

The Spur Line Supply Co. show prints are: 
Landscape: 32 x 24.5
Portrait: 24.5 x 32
$850 each, COVID-discounted down from $1200. Cloud Storage (self explanatory) is $500.

Please consider supporting artists, and other creatives this holiday season. Also try to shop local as much as possible, no matter how comfortable other big online retailers are... This is the world we need to reshape, and create. 

Big love to you!
Sara



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Adrift

Seeking that warm blanket of sound to roll and wrap myself into, as if I am a rolled up, dusty old carpet where decades of feet have treaded, and no one bothered to clean. It just became a dingy layer that was easier to remove than to care for. Rolled up in a pod sized padded cell. 

That muffled sound, a song or a siren?

A straitjacket for the soul. 

Emotionally fractured. 

Blown to pieces. 

One foot on each shrapnel. 

Spinning out onto the sandy sea. 

Being a millipede. 

Hundreds of legs.

Small feet like anchors.

Stretching.

Treading.

Reaching.

Grasping.

Solid ground?

My head turning like the bulb of a beacon, in a stormy ocean, rotating its light out into the night, desperately seeking a shore.

A still horizon.

A safe passage.

But everything is moving, and it’s all blurry. 

My milli pedes are tired and slipping.

Shrapnels moving farther away. 

Sharp edges.

Cutting as they float.

Slicing as they hover.

Piercing as they drift.

We’re is the pull? 

The current? 

The magnetic draw to magically glue us back together again?

Kintsugi.

Gold or kryptonite?

Melt my shrapnels together with obsidian. The black volcanic glass that’s been fractured, crushed, grinded, mottled, purged, fired, melted, and hardened. Poetically steeped in its black cloak.

Because where is the pier? The one we accessed when there was a break in the wind? The conversations echoing between the grains of sand,  and smoke from the wildfires swirling, like mosquitoes over the calm desert ocean.

The swell grew larger when the last ice melted.

Evaporated quickly by greed, hate, and heat.

And the windy waves. 

Surging.

Swelling. 

Sandblasting.

Eroding.

Leaving a smooth surface of a slightly lopsided sphere.

Drifting. 

Aimlessly.

Until when?

Upon what?

Like Aniara but instead of the Mima, it’s me. 

And instead of the dying spaceship, it’s my fractured life on this shattered earth. 

Aimlessly drifting, seeking. 

Without control. 

Without means. 

Adrift.

<<<<<>>>>>


Listening:

David Bowie - Life On Mars

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READABLE THINGS, AND OTHER NEWS

Hi there!

A non poetic summery of the latest news:

There’s a photo awards going on over at Democratic Gallery’s Instagram page, and they have included two photos that are mine, “Overshadowed”, and “Roof. In The Sun. Over Sand.” in the mix! They both are yellow. One has an abstract shadow on top, and the other one is the shadow of a roof. If you vote for them in this awards thing they have, you have a chance to help me out, to have these pictures represented by the gallery, and also win something yourself at the same time. Sound like a plan? I’ll post this information in Instagram stories today. See directives below, and for further information on prizes you can win, check out their website here.

There are two readable things about me online. The first one holds an interview, plus an additional image feature over at The Flying Fruit Bowl.
Second is a paragraph in an article by my friend José Seigar for Dodho Magazine about what kind of music photographers listen to.

For those of you who totally checked out due to summer, COVID-19, or any of the other tidal wave life changes, and revelations this year, I am happy and proud to let you know that my picture “Split Light” won honorable mention in the abstract category of the annual Minimalist Photography Awards based out of Teheran, Iran. There were over 4200 submissions, this year, so honorable mention feels pretty cool! It makes it the second year in a row for me, which is honestly unfathomable…

Also - Black Box Gallery is showing “Stairs On Ivory” through the end of the month as part of their “Photo Shoot: 2020” exhibit.

Ok. I hope I didn’t bore or scare you off with this update. Until next time. Then I promise something deeper…

S

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Pharmaceutical: Headphones

First: Please log onto your Instagram, and vote for my image “Overshadowed” over at Democratic Gallery’s page! If you vote for me, we can both win!

<<<<<<<<<<<<< >>>>>>>>>>>>>

Like a teenager with headphones. But I’m 42... What happened? Did I become more susceptible to societal rules as I got older. I was all about the f_ck you’s of societal norms when I was younger, but now I seem to be focusing my middle finger on direct evil. I do believe the world has become increasingly evil, and that’s partially why “headphones”. Almost always this summer... Because toxic. Unsustainable. Unsurvivable. To do what modern day medicine does, silence the symptoms. Pharmaceutical: Headphones. Although I sometimes miss night walk sounds. Like crickets. Or the rare locust braving the high desert aridness. And almost every evening, the spiritual sound of coyotes. It’s... Magical. And I’m going to miss the happiness knowing when the sounds started (I used to note it in my “smartphone” calendar...) in the spring, and the heavy hearted feeling of knowing when it ended in the autumn (I used to note that too. When the silence started). And that nerdy love is why we have to agree... Because I still want to believe that all humans are capable to feel what I feel. But I’m also extremely cynical. Because I still haven’t seen what I want to believe in. And every second we’re cutting off our own life support. That’s how bad we are as humans. How the did the word humane even originate from us? Just goes to show what a complete, and utter fake biproduct we are of this earth. Where we may have been derived from, and could have done good, but didn’t... ... ... An earth of which we’re not worthy. Who’s the most intelligent species again? 

We should all be kissing her feet. What, who’s? Mother Nature’s of course! COVID-19 may have an ace up her sleeve, but sometimes I secretly wish that she would have been all the more vicious, since this episode obviously wasn’t enough to curb the beasts that are us. And still we continue to spawn. Pandemic and all... Without ethics and moral ingrained... Where does this end? 

⬛️

Listening:

Radiohead - OK Computer with a little help of The Bends. 

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The Flying Fruit Bowl Interview Is Up!

Hi all!

I’m just dropping in to let you know that the interview I have been working on for a while, is published today! It’s 20 questions, and answers so it will not be on the quicker side, rather a moderate read. Thanks a million to Aaron of The Flying Fruit Bowl for having me on his platform, and for asking questions that really made me think. Big gratitude his way!

I hope you enjoy my ranting!

Sara

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